If you do not want the same thing that happened to people on court for the trial between Nicolette Sheridan and Marc Cherry you need to stop reading.
During the March 11 episode of the long-running ABC soap a major character will die.
There is a trial going on between show creator Marc Cherry and Nicolette Sheridan, the former star of the show, because of an altercation between them on set.
After a lot of speculation about if Charlie Harper dies or not in Two and a Half Men season opener, after several months of discussions on who was going to replace his character, and after Ashton Kutcher joined the juggernaut sitcom, the speculations moved to who was Ashton Kutcher going to play on Two and a Half Men. And at TCA Panel, CBS is unveiling that mistery: Ashton Kutcher plays Walden Schmidt.
It is the character played by Ashton Kutcher on Two and a Half Men and he is an Internet billionaire with a broken heart.
So the thing is, why on earth would a billionaire that buys Charlie´s house let the other man and a half to live in the house? How will they find a comic rythm in a funeral episode, much less being the season opener of a filled with questions new season.
I have no doubt in my mind that the season premiere of …Men will bring great numbers, mainly for two reasons, namely everybody wants to know how will they manage the Charlie Sheen less show, and because Ashton Kutcher has a biiiig following. Thing is, what will happen after that? Is people coming back to tune after premiere? Time will tell.
What do you think about Ashton Kutcher playing Walter Schmidt on Two and a Half Men? Will you watch? Let me know in the comments section.
Also, remember to follow me on Twitter for more Two and a Half Men scoop.
Well, so much of the turmoil around Two and a Half Men and Charlie Sheen… Chuck Lorre apparently, as TMZ reported, decided Charlie Harper dies on Two and a Half Men season premiere.
It´s not such a big spoiler, and it was something many expected, as a safe way for Lorre to make sure Charlie Sheen does not come back to the show ever.
In the CBS comedy’s season premiere in September, the episode will reveal that Charlie Harper has died. Among the scenarios that co-creator Chuck Lorre and the other producers are mulling include having Charlie Harper drive off a cliff and die.
Although the first show won’t be filmed until August 5, producers have been kicking around scenarios for Charlie Sheen´s character Charlie Harper´s death on Two and a Half Men, and it´s looking like Charlie drove a car over a cliff.
There could be a lot of different scenarios to part ways with Charlie Sheen that don´t involve Charlie Harper dying, but that would open the door for Charlie Sheen to come back someday, or the audiences to ask for him, and that´s something Lorre would not want at all.
What do you think about Charlie Harper dying on Two and a Half Men? Would you kill off Charlie Harper or look for another storyline? Let me know in the comments section.
Also, remember to follow me on Twitter for more Two and a Half Men Spoilers like Charlie Harper dying.
Photo credit: TMZ
Well, this week we had a very nice double installment of Glee, with the Superbowl episode and the Valentine´s Day episode.
A lot of things happened there, as you saw, Quinn and Finn kissed each other on Glee´s Superbowl episode, and that storyline was front and center in the Valentine´s Day episode, and they even got the mono because of it.
Well, if you saw that episode ending, there was a glance between Sam and Santana that lead us to believe there´s something upcoming for the two of them.
Probably Santana kissing Sam or viceversa.
Sam is not happy at all with the way things are unfolding between Quinn and Finn, so he might go out to get some sort of revenge, and well, Santana is Santana, and she also had a moment to think where she felt lonely.
Hence, Santana and Sam will kiss on Glee. Soon. Next episode? Well, I don´t know about that just yet. (Well, I know, but I cannot spoil that much)
What do you think? Do you like the idea of Santana and Sam kissing on Glee? Let me know your thoughts in the comments section.
Also, remember to follow me on Twitter for more Glee spoilers like the kiss between Sam and Santana.
American Idol 10, 2011 is up and running; and today aired Episode 5 Auditions in Austin Texas.
But we are way ahead already in the scoop.
The Spoilers for American Idol 10, 2011 on who will be top 40?
This is the moment for all of you who do not want to read spoilers from American Idol 10 to get away from this article.
For all of you who do want to read Spoilers for American Idol 10, 2011 on who will be top 40, this is the place to be.
But enough with the spoiler warnings… Let´s get to the list
If you want to check out how to contact and send a message to American Idol 10 2011 Top 40 Contestants, you can visit this link.
So, what do you think about Spoilers for American Idol 10, 2011 on who will be top 40? Let me know in the comments section.
Also, remember to follow me on Twitter for more Americal Idol 10 Spoilers and scoop.
Orion all over the screen… and Volkoff saying “Oh my God. He´s still alive” and a little later “Somehow a dead man broke into my computer system last night”
Does this mean Steve Bartowski is alive? Is Chuck´s dad alive? How can that be? Didn´t the ring kill him?
Isn´t Scott Bakula playing one of the leads (Terry Elliott) in a hit TNT show called Men of a Certain Age?
There are a lot of questions raised by this episode of Chuck.
Is Chuck´s dad alive? Is Steve Bartowski alive? Being the question we most want to know the answer.
Chuck said “Hello Alexei. I believe you are looking for me” and showing that he posed as Chuck´s dad. So chances are Steve Bartowski is dead for good.
Steve Bartowski was in Seven episodes of Chuck, and these are the best Quotes and tidbits from Steve Bartowski, Chuck´s dad on the show. As Chuck said: “Tecnically it´s ok to say Steven J Bartowski took you down”
“Chuck: Chuck Versus the Dream Job (#2.19)” (2009)
Steve Bartowski: [to Sarah about Chuck] Stanford? Not bad. He was alway a genius this one.
Chuck Bartowski: No. Not like you.
Steve Bartowski: You’re right. He was smarter.
Steve Bartowski: Not a good idea. Tell her that I’m happy for her
Chuck Bartowski: Are you- are you joking? You have to do this. She’s your daughter! Don’t you want to be there?
Steve Bartowski: Charles, I can’t…
Chuck Bartowski: I-I don’t want to hear what you *can’t* do! I’ve *seen* what you can’t do!
[Long pause]
Chuck Bartowski: I’m sorry. I, uh, that came out wrong.
Steve Bartowski: No it didn’t. You’re mad. I left and you’re mad.
Chuck Bartowski: [to Sarah as Steve's gathering his belonging for a trip] Maybe he’s not as crazy as I remembered.
Steve Bartowski: [Steve enters] Okay, let’s go get your sister married. Huh?
[Steve lifts the blinds a little to look out the window]
Steve Bartowski: Maybe we should wait til dark. They’re – they’re tracking my every move. Rat bastards!
Chuck Bartowski: [Entering] Ellie, hey.
Ellie Bartowski: [Ellie turns for a second] Hey, Chuck.
[Turns and faces Devon]
Ellie Bartowski: We can do cranberry which really brings out your – your
[Realizes he dad is with Chuck and turns around]
Steve Bartowski: Hello Eleanor.
Chuck Bartowski: Aren’t you going to say something?
Ellie Bartowski: …Pancakes.
Steve Bartowski: Oh boy.
Ellie Bartowski: You said you were going to make pancakes.
[Ellie storms off to her room]
Steve Bartowski: Well, that – that went well.
Steve Bartowski: [to Chuck] You’re going work for Roark?… The man who stole everything from me?
Chuck Bartowski: We have to go. We have to go right now! I can explain all this to you later. For now, all I can tell you is, I’m not who you think I am!
Vincent: [the secure door opens, Vincent stands in the doorway pointing a gun] It’s good to see you again. Both of you.
Steve Bartowski: Don’t worry, Charles, I’m not who you think I am either…
[Steve knocks Vincent out]
Steve Bartowski: Are you coming? We should go Charles.
Chuck Bartowski: Oh my God! You’re Orion!
Steve Bartowski: We should hurry.
Steve Bartowski: Granted, I can understand how this might complicate a few things. Come on!
Chuck Bartowski: What? “Complicate a few things?” Dad, I saw you die! I saw you explode in a helicopter.
Steve Bartowski: But I see how I could’ve given you that impression. I had to die quite a few times. One of the perils of being Orion.
Steve Bartowski: This isn’t what I wanted, Chuck. But when I realized what the government was going to do with the Intersect. I had to run. I knew our guys weren’t going to be the only ones who were looking for me. More importantly, I knew I had to stay away from you and your sister.
Chuck Bartowski: …Wait. Dad, You were protecting us?
Steve Bartowski: I knew I had to spend the rest of my life hiding from the Intersect. I never imagined it would find you. It must be such a curse to have all those secrets trapped in your head. That’s why I came back. That’s why I let your handlers find me. It’s my fault. FULCRUM’s after both of us now.
Steve Bartowski: Now punch in the code, or we’ll both be a little dead.
Chuck Bartowski: No, dad. You don’t understand. It doesn’t work like that. Unless it’s up here. I can’t do it.
Steve Bartowski: Yes you can. I designed that computer in your head, son. Flash, and it’ll be the last thing you ever have to flash on.
Chuck Bartowski: That’s the Intersect?
Steve Bartowski: 2.0. My baby. My greatest creation. After you and your sister of course.
Ted Roark: Put him in the helicopter. Kill the CIA agent.
Steve Bartowski: He’s my son.
Ted Roark: He’s your son? Congratulations! That’s great! I had no idea! Kill the son.
Steve Bartowski: Charles, take care of your sister.
Chuck Bartowski: No, wait.
Steve Bartowski: Take care of yourself.
Chuck Bartowski: Dad…
Steve Bartowski: You can do this without me.
Chuck Bartowski: I’m not going to leave you!
Steve Bartowski: Remember when I told you not to trust your handlers.
[Steve opens the door, Sarah and Casey enter pointing their weapons at the FULCRUM agents. Steve walks to the FULCRUM agents]
Steve Bartowski: Maybe I was wrong.
Vincent: If your son is going to walk, he should do it now!
Steve Bartowski: Goodbye Chuck.
Chuck Bartowski: Dad! No!
“Chuck: Chuck Versus the Subway (#3.18)” (2010)
Steve Bartowski: Son, your brain is working fine so far, right? Who wouldn’t be paranoid in your shoes? Your cover’s blown, your secret base discovered, you dead partner and girlfriend’s ex-lover was a double agent.
Chuck Bartowski: Way to talk me down, dad.
Steve Bartowski: What I – what I’m trying to say is: your courage makes me very proud. But there’s some battles you have to walk away from.
Steve Bartowski: [to Chuck] There may come a time when if you want to protect them – you have to go.
Steve Bartowski: That’s what the Ring wants you to think. There’s always a choice.
Chuck Bartowski: What choice would that be, dad? To run away?… I’m not you, okay? I’m not going to spend the rest of my life in hiding. I can’t leave the one I love behind…
[to Sarah and Casey]
Chuck Bartowski: Let’s go!
Sarah Walker: Chuck, wait where are you going?
Chuck Bartowski: Sarah, I have to leave. My – my dad is coming.
Sarah Walker: No, you can’t. You have to stay and fight. If you run, they’ll put a burn notice on you, and you’ll be running forever.
Steve Bartowski: [Steve Bartowski arrives] We have to move. Right now!
Sarah Walker: You can’t do this. If you run, there’s a bullseye on your back. They will *never* ever stop looking for you.
Steve Bartowski: If you stay everyone you love will be in danger. You have to decide who do you want to protect: you or her.
Chuck Bartowski: Dad please don’t -
[the alarm starts blaring]
Steve Bartowski: Right now Charles! You have to run to protect her!
Chuck Bartowski: I’m sorry Sarah. I’m sorry but if I have to choose, I will always choose to protect you!
[Kisses Sarah]
Steve Bartowski: I’m your father. You cannot ask me. Please do not ask me to put my own son in jeopardy.
Chuck Bartowski: I can’t just walk away, dad. Why did you come back this time? You came back because you wanted to protect Ellie and me. Because you knew no matter how far you ran, you couldn’t live with yourself if something happened to someone you love.
Steve Bartowski: If we do this… we gotta be smart. Not think emotionally. We can do it. We’re Bartowskis!
Steve Bartowski: If we’re not back in 20 minutes, run!
Ellie Bartowski: I need to hear you say it. I need to know there’s a reason you left us.
Steve Bartowski: …It’s a long story. I wanna tell you everything, but I gotta – I gotta take care of this first, okay?
[Hugs Ellie]
Steve Bartowski: This is the last time I’m going to walk away from you, I promise. Love you, baby.
Steve Bartowski: [Last words to Chuck] You’re special son. Always remember… that you’re special.
Steve Bartowski: [to young Ellie and Chuck] There’s nothing broken in – in this whole world that you can’t fix if you work together. Charles, go into your sister’s room and get some of her art supplies. Go on.
[Young Chuck goes to Ellie's room]
Steve Bartowski: Ellie, you’re going to help him.
[Young Ellie looks upset]
Steve Bartowski: I know it’s hard, El. But your brother does have a knack for getting into trouble. But you – you’re going to have to protect Chuck. Be there no matter what. Because you’re his big sister. Can you do that for me?
“Chuck: Chuck Versus the Living Dead (#3.17)” (2010)
Steve Bartowski: [after Sarah saves Chuck] Does she have the Intersect too?
Chuck Bartowski: No dad. That’s all her. Hi honey.
Steve Bartowski: Tell me you’re not in the CIA any more. Tell me that you quit.
Chuck Bartowski: Dad, the Intersect is out of my head. I’ve moved on. I can assure you .
[Chuck looks at Sarah]
Chuck Bartowski: *we* can assure you… that I am no longer a spy.
Chuck Bartowski: The mission’s over dad.
Steve Bartowski: It’s never over, all right? There’s always another one and another. And… the reason a spy has to have one of those is because every mission they go on could be their last. For every spy, there’s someone who cares about them. Someone who has to open that box, read that message, and mourn their loss. This is a bad business. And I don’t want my family any part of it!
Steve Bartowski: I-I just keep thinking, without the Intersect, why would they let you go on missions? You’re an ordinary guy.
Chuck Bartowski: I’m not. I’m not an ordinary guy. The CIA wants me to work for them because they think I’m special…
[Turns away from his father]
Chuck Bartowski: Because they believe in me.
Steve Bartowski: You’re right Charles. You are special.
[Throws a knife at Chuck. Chuck flashes and catches the knife]
Steve Bartowski: I knew it! You downloaded the Intersect 2.0.
Chuck Bartowski: Dad. Knife. Face! What if you were wrong?
Steve Bartowski: I’m never wrong.
Steve Bartowski: Charles, there’s something I never told you. The Intersect – it can have a negative impact on the brain.
Chuck Bartowski: Ho -hold – hold on. What? You – you knew? You knew, and you didn’t tell me?
Steve Bartowski: I didn’t think I had to tell you. Youd didn’t tell me you downloaded the new one.
Chuck Bartowski: But that’s because I knew you would disapprove of it – and – and you know what? You left *again*. You taught me and Ellie how to live without you and that’s exactly what I’m doing.
“Chuck: Chuck Versus the Ring (#2.22)” (2009)
Steve Bartowski: Hello Ted.
[Knocks out Roark then sighs]
Steve Bartowski: Waited 20 years to do that.
Steve Bartowski: You made changes to the Intersect. To my initial designs. The data architecture is different. What does this new computer do?
Bryce Larkin: You don’t want to know.
Chuck Bartowski: [after Sarah leaves] I have to go.
Steve Bartowski: No. No. You don’t, you’re not a spy.
Chuck Bartowski: Dad… I *love* her!
“Chuck: Chuck Versus the Ring: Part II (#3.19)” (2010)
Steve Bartowski: Hello Chuck. If you’re seeing this, that means I wasn’t able to stop this message from sending. Which also means, I’m dead. What do I say about that? Um, I- I’m sorry. And – and – well I hope you and your sister know how much I love you – loved you. Now I need you to do something for me. Something secret. You better get a pen. I never wanted you to be a spy. I knew how dangerous this world is, what it does to the people in it. Boy, do I know that. That’s why I kept something from you. Something about me -about Orion. I’ve been a spy for the last 20 years, working for myself. Doing things governments have been afraid to do. Maybe being a spy is – is in our blood. And – and maybe I should have… told you all of this long ago. But Chuck, your story is only just beginning. It’s time you knew the truth about my work, and the people who tried to destroy me. Because if I’m gone, then you’re not safe from them anymore. Neither is Ellie. These people they are ruthless, cunning and – Chuck, it’s – it’s time you learned the truth about your family. ‘Cause I did all this for her.
Chuck Bartowski: [Picking up half a broken bracelet] Mom?
What do you think? Is Chuck´s dad alive? Is Steve Bartowski living? Let me know your thoughts in the comments section.
Also, remember to follow me on Twitter for more Chuck scoop and spoilers
Matt Leblanc is back… and now he plays himself in the new Showtime show Episodes.
Tonight a new episode of Episodes called Episode Four aired (I had to put it like that). This time Sean and Beverly have to retrieve Matt from a seedy bar outside of LA so that the paparazzi waiting outside won’t see him driving home drunk. What follows is an all-night road trip which takes the trio from a run-in with a paparazzo to Matt’s ex-wife’s house and finally to his son’s bedroom, where Matt is forced to confront the mess he’s made of his life. The transformative evening even manages to bring Matt and Beverly closer together. The question is: for how long?
Student: I´m only twelve. Are we having this conversation?
Student: She was shooshing you. She´s a librarian. That´s what they do
Matt Leblanc: That´s not the only thing they do
Student: Again. I´m twelve
Matt: “What do you know about gay?”
Student: “Both of my dads are gay,”
Matt: “Jesus. Both of them? What are the odds of that?”
Beverly: Did I mention I hate this show?
Sean: Might have come up
Sean: Oh my God, she´s older than you
Beverly: Oh you fucker
Sean: Well, that´s what you are thinking isn´t it?
Sean: She´s so plastic. Those boobs… Yack
Beverly: Mmhhmm
Sean: I´m telling you. I like the real thing. Give me a woman who looks her age… five years younger than her… seven years younger…ten… you are a fetus
Beverly: Walk away Sean, just walk away
Matt: I´ll be fine. I´ll just give the judge a couple of “How you doin´s”
Morning: Alright, my girl likes the dick
Matt: He can´t high five
Beverly: It´s good you made a titty friend
Sean: Give her you evil glare… not me… her!
Matt: Don´t look at her, look at me
Matt: It´s like I´m Captain Hook and he´s the Crocodile following me with the ticking clock
Matt: Are you wearing your pijamas?
Beverly: I didn´t realize we were going to a place this elegant
Diane: If you wake them I´ll break your fucking arms
Recap by Detective Briscoe
On set, filming the pilot for “Pucks”. Matt, as the hockey coach, ogles the librarian. He talks to a student, who tells him he thinks the librarian is gay.
“What do you know about gay?” Matt asks (in character). “Both of my dads are gay,” the kid says. “Jesus. Both of them? What are the odds of that?” Matt asks.
After the cut, Bev grumbles that she hates the show. Bev gets passed a note from the crew and says it’s about Morning, whose age she is obsessed with.
Sean says he doesn’t care, then grabs the note. Morning is older than Bev. Sean tries to say he likes the real thing.
“Give me a woman who looks her age,” he says, then realizes he’s stepped in it. “Five years younger? Seven? Ten? You’re a fetus?”
Bev advises him to walk away.
Later, Matt calls Morning over to settle something. Matt mentions he’s on the way to a custody hearing. He’s not worried. “I’ll just give the judge a couple of ‘How you doings?’”
Morning asks Sean if they’re going to have catch phrases. Sean says they’re cheesy. “Cheesy? Tell that to my house in Malibu,” Matt says.
Matt has Sean confirm to Morning that her character isn’t gay anymore. She goes for a high five, but he’s inept.
She has him try again, then goes for the fist bump. When he manages, she throws herself around him with a big bosomy hug. Bev glares.
Later at home, Bev grills him about Morning. Sean tries to avoid the inevitable argument and is saved by the phone ringing. It’s Matt, calling drunk from a bar.
He lost his custody hearing and wants Sean to pick him up.
“I’m sorry he lost his children, but can’t he take a cab?” Bev asks.
Bev wonders why Matt called him and Sean insists he and Matt are friends. Bev insists on going with him.
They pull up to see Matt’s car and a lone paparazzo waiting outside.
Inside, Matt says “you brought her?” when he sees Bev.
He insists Bev and Sean join him for a drink. Sean says they have to be on set at 7 a.m. and want a rain check.
Matt tells them the paparazzo outside is his nemesis, dating back to 10 years ago when he smashed his camera, and his head may have been involved.
Matt says he’s like the alligator with the ticking clock inside him.
Bev laughs, surprised at the “Peter Pan” reference.
“I’m full of f—– whimsy,” Matt insists.
Sean suggests Matt go out back and they’ll distract the crocodile.
Outside, Sean asks the paparrazo to take their picture, saying he just proposed. He offers the guy $100 as Matt sneaks out the back. But then Matt ends up creeping around the lot. He shouts, asking which car is theirs.
The photog gets his pictures.
In the car ride home, Matt complains about the paparazzo and tries to light up. Bev tells him not to, even though they’re in a convertible. The GPS woefully misguides them. It’s broken, but they don’t know how to turn it off.
Matt tells them he had a rule in his custody agreement not to have girls over when the kids were there, and the nanny had to be there. He insists he didn’t have someone over.
Sean figures it was the nanny. “She was already in the house! That shouldn’t count,” Matt says.
One of the boys walked in on them.
Now he only gets to see them every other weekend. “Every other weekend, just for screwing the nanny? She’s not even that hot!” he insists.
Bev scoffs and they start bickering.
Matt directs them to pull up to a house, where he crawls up the front stairs and pounds on the door. Watching from the street, Bev and Sean wonder where they are. They’re not in Malibu and no one is answering.
Bev and Sean go to investigate. A woman answers. Matt wants to see the boys. It’s his ex-wife Diane. She can see he’s drunk, but he wants to see the kids. He promises not to wake them up.
“Just once, don’t be a c—?” he says.
Somehow this works and she lets them in to see the kids.
The four of them stand in the boys’ room, admiring them. Matt raves about the older one just winning a talent competition.
Matt is pained about seeing them only every other weekend. “I’m such an a—–.”
In the car home, Bev tells Matt his kids are cute. Matt gets maudlin, talking about how quiet the house is without the boys. Bev offers to let him stay at their place.
She and Sean are both shocked by the offer.
Matt thanks them for coming to get him. He tells Sean he was sure he’d come, but he wasn’t expecting Beverly.
He actually gets her name right. It’s a touching moment, until he pukes a little on her shoulder.
Back home, Sean thinks the evening will make the difference between her and Matt.
The next day, Matt comes downstairs and immediately back to calling her Betsy. He’s stunned there’s no coffee in the house.
Their maid comes in and is stunned to see Joey in the house. She gives him a “how you doing?”
In Spanish, he asks the maid if Bev is a head ache. Bev is mocked and totally left out.
Sean comes downstairs and can’t believe the tension is back.
And then Kendra comes downstairs. Apparently Matt woke up in the middle of the night and called her. They met at Jamba Juice.
Then Kendra tells a long, anti-climactic story about introducing Matt to a new juice.
Sean hustles everyone off for the day.
“Has anyone seen my dog?” Kendra asks.
What did you think of Episodes Episode Four? Let me know in the comments section. Also, remember to follow me on Twitter for more scoop and spoilers on Episodes.
Ok… Anyone who saw Chuck tonight must be torn apart.
Everyone´s life was changing. Sarah working for Volkoff, John Casey dying in a hospital, Awesome and Ellie finally agreeing to thei daughter´s name, and Morgan finally getting ready to tell Alex he loves her…
But let´s focus on the John Casey dying on Chuck part.
Is John Casey going to die on Chuck or not?
Well, there are reasons to say both things. Let´s review them
We already talked about this one when the show wasn´t as established as now, and when they were farther from syndication magical number. Budget reasons.
We asked if John Casey was leaving Chuck then, and the answer was no.
But now we need to add a lot of work that Adam Baldwin is doing besides his stint on Chuck: He is in Transformers Prime doing voice over, he does Superman voice on DC Universe Online Video Game, he is slated to premiere two movies The Assignment where he plays Mr Clements and Insight where he plays Dr Graham Barrett.
This means there´s a lot more reasons to believe John Casey dies on Chuck as a way to give Adam Baldwin the freedom for his other jobs.
First of all: He´s John Freaking Casey. So how can he die.
Second, he´s slated to participate in the next episode of Chuck called Chuck versus the Push Mix, in an episode where he will try to know Alex better.
Third of all, both movies are in post production, so he managed to work his schedule around hiatus.
Finally. There´s no way Josh Schwartz will put us through John Casey´s death at this point where he´s developing several story lines.
In conclusion, Chuck fans need not to worry. John Casey is not dying on Chuck.
Let me know your thoughts in the comments section. Also, remember to follow me on Twitter for more Chuck Scoop and Spoilers.
Ok, you all saw last episode of Chuck, right? If not, leave this post immediately for it´s full of Chuck Spoilers. In the episode called Chuck versus the Gobbler, Chuck becomes worried when Sarah goes to extreme measures to help his mother take down Alexei Volkoff. Ellie and Devon have trouble deciding the name of their new baby.
Alexei Volkoff: I´m a hopeless romantic myself
Mary: She is going to betray you. You know it
Mary: What if we had her break Yuri out of prison?
Alexei: That is a wicked idea
Mary: Thank you
Morgan: What the hell is wrong with me
Chuck: I think you are in love
Morgan: I have some more snuggling to do
Morgan: I really do care about her
Casey: That is all I want to know
Chuck: It´s like I´m cheating on you with you
Chuck: See you in prison
Chuck: So, who of you is Yuri The Gobbler
Morgan: You never told your daughter you love her? That´s just wrong
Chuck: One can´t be top dog for a minute
Sarah: What are you looking at?
Chuck: Looks like you are top dog now
Chuck: Was that weird? The whole finger kissing thing
Sarah: A little
Alexei: Yuri didn´t know about Hydra. Yuri was Hydra
Alexei: None of them know each other. None of them know what part they play in my puzzle
Casey: World domination. Never gets old
Morgan: I´m a good listener and Casey is
Chuck: Casey
Alexei: You will have to kill John Casey
Alexei: You are one step closer to the woman you love
Recap by MurphAndTheMagicTones
John Casey (Adam Baldwin) is taking a beating. True to his style, he takes every punch and kick his enemy can dish out, and all he asks is “that all you got?” Then there’s one more punch. Thrown by Sarah!
TWO DAYS EARLIER
Morgan (Joshua Gomez) flags down Casey at the Buy More because he’s afraid Chuck is going to start moping and turning into a pathetic shell of himself with Sarah (Yvonne Strahovski) having been gone for the last two weeks on ‘illegal’ missions to establish her cred as a rogue agent. Casey begrudgingly agrees that Chuck could end up whining all day, eating Cheetos and watching The View. In reality, Chuck is fine. He figures Sarah would NEVER do what his mother did. Sarah wouldn’t change. Although the brunette wig and leather suit she wears into Volkoff’s office would tend to disagree. Alexei Volkoff (Timothy Dalton) had heard tales of her missions and was skeptical. Sarah explained that she fell in love with Chuck but the CIA had every intention of infringing on that relationship. She wanted to carve out a life that was under her control with the man she loved. Volkoff still didn’t believe her, until she disarmed three of Volkoff’s men at the same time, aimed two of their guns at Volkoff, and didn’t kill him right then. Volkoff welcomed her to the company.
Mary Bartowski (Linda Hamilton) joins Alexei and Sarah, and she can’t believe Sarah had gone to the dark side, but Sarah implied Mary was the impetus for doing so. Mary talks to Alexei in private, saying Sarah will betray her. Alexei thought that was possible, but he wanted to work on Sarah, and twist her to his own needs, much like he did with Mary. Mary had an idea to have Sarah someone break out of person: Yuri Gobrienko, AKA Yuri the Gobbler. Apparently Yuri’s called the Gobbler because he eats people. But Sarah’s up for a nice bottle of Chianti and some fava beans, even though Alexei warns her it’s a suicide mission.
Back home, Chuck is happy Sarah is communicating over his phone with a tonal language both of them learned, while Morgan has to deal with Alex wearing his vintage unworn Back to the Future t-shirt and spilling orange juice on the floor. But for some reason, Morgan was cool about it. Chuck’s conclusion: Morgan was in love. One problem solved, just in time for Chuck to help Ellie (Sarah Lancaster) with a baby name. Devon (Ryan McPartlin) had shot down every one of them, and Ellie all but begged Chuck to get Devon on-board with…Grunka. (Grunka? That’s what the closed-captioning said.) Which, coincidentally, is a term you could use to describe what Casey wanted to do to Morgan when he saw his daughter wearing his shirt. Morgan assures him nothing weird is going on and he’s being a perfect gentleman…and Casey believes it.
(This week must be Bizarro Chuck. Sarah’s a brunette? Morgan doesn’t mind a vintage shirt being ruined? Chuck isn’t freaking out about his relationship? The most tasteful person on the show wants to name her daughter a Batman fight expletive translated into Russian? And Casey’s cool with Morgan dating his daughter? HUMAN SACRIFICES! DOGS AND CATS LIVING TOGETHER! MASS HYSTERIA!)
Mary tracks down Sarah and hides out from surveillance to tell her to leave. But Sarah was adamant about bringing her home and taking down Volkoff in the process. To do that, Mary tells her she has to free Yuri to infiltrate Hydra, the computer network with which Volkoff Industries communicates. It had been down since Yuri was put in prison, but he must be freed to take the network down. No Hydra, no Volkoff Industries. Mary also warns Sarah doing this meant making some choices or doing things she might regret, but Sarah was determined to see this through for Chuck.
Sarah crawls through some air vents and disables some security protocols (very [linknm0001876/]), only it’s to Castle. Just had to say Hi to the boys and update them on her plans. She needed everybody to create a diversion so she could get into Seabrook supermax prison to break out The Gobbler. She heads out and Chuck wants to talk to her. Truthfully, she’d rather kiss him instead. And when someone in a leather catsuit wants them to kiss you, you tend not to argue. (“Wow, it’s kind of like I’m cheating on you…with you…right now.”) She tells him goodbye.
CHUCK: OK. See you in prison!
SEABROOK CORRECTIONAL FACILITY – PORTLAND, OREGON
Disguised as security guards, Casey and Morgan escort a shackled Chuck into the supermax wing (NOTE: Chuck’s Prisoner ID is 092980, which is Zachary Levy’s actual birthdate). But there’s hasn’t been any stabbings in two days, so Chuck is hoping to wait until the prisoners have gotten all of the stabbings out of their system. Morgan tells him not to worry, as Chuck has a tattoo belonging to one of the most vicious gangs in North America…and he smudged it a bit. But the idea was to start a fight and have Chuck use his Intersect to knock out Yuri. And it all had to look legitimate for Sarah’s plan to work. Morgan convinces him to take out the top dog to rule the roost. And he wipes off the tattoo because Chuck looks better without it. Sure enough, the entire prison population looked like they wanted to kill Chuck, even without Morgan’s WWE-like trash talking. A prisoner points out Yuri to Chuck with his eyes, since Yuri ate most of his fingers for pointing at him. Meanwhile, Casey and Morgan distract the guard on the surveillance monitors with a birthday cake. (No, I’m not kidding.) To make matters worse, Chuck is giving 6 inches and at least 150 pounds to Yuri even with the Intersect working, so Casey and Morgan have to stretch out the Happy Birthday to several verses. More guards arrive for the cake, but Casey has to go and unlock the east entrance for Sarah, leaving Morgan alone to distract the guards. Chuck still can’t bring down Yuri, even with slamming freeweights across his face. But Chuck finally gets the upper hand and knocks Yuri out. It works perfectly, until the 2nd-biggest guy in the place wants his spot. Except Sarah was there to take him out. The team escapes with Yuri, and Chuck has to say goodbye again. He’s confident this is almost over, but Sarah isn’t so sure. She thinks it could take some time, since it took his mother years. She leaves, and Chuck heads for the Cheetos. He’s depressed because he was used to eating pizza and playing a board game following a tough mission. With no Sarah in Burbank, Chuck is wondering if Morgan recorded The View for him. Casey and Morgan take one for the team and join Chuck in a board game. Although on the bright side for Casey, it’s Risk.
Devon’s plan is to take Ellie to the Buy More and sour her on the name Grunka. Lester (Vik Sahay) telling her he lost his virginity to a girl named Grunka ought to do the trick. (“Filthy, filthy lady. Hard to believe she was a grandmother.”) And Big Mike (Mark Christopher Lawrence) talking about a serial killer named Grunka is all Ellie needs to convince her this was all a plot. Even Jeff (Scott Bakula) saying he likes the name (in spite of the fact Ellie never told him what it was) had no effect.
Sarah returns with Yuri, and Volkoff shoots him in the head. Alexei was disappointed in Yuri, and he “has a hard time with disappointment.” It turns out Yuri WAS Hydra: his eye was the computer system (and SERIOUSLY, warn us when you’re going to do something like that). Yuri explained Hydra allowed him to store all of the information about his organization, including communicating with those in his employ. He downloads the data to a secure backup drive and destroys the eye. However, a piece of it lands on the floor, where Mary surreptitiously keeps it under her boot. Volkoff readies the jet because he has one more mission for Sarah. A mission that involves Casey, if the text she sent Casey to meet her alone at the Trident Tower was any indication. But by doing it on Casey’s phone instead of a secure line, Casey smelled trouble. Chuck wants to go, but Casey vetoes that and tells him to stay home. Sure enough, Volkoff sent the message to Casey as her, and he orders Sarah to kill him. Volkoff sends Mary up there with him, but he’ll be watching on monitors. Unfortunately, Chuck doesn’t listen to Casey and goes to find them. And walks right into Volkoff’s men.
ALEXEI: Chuck, you’re just in time. There’s a particular moment when an agent makes the decision to stop pretending and takes the leap to join the other side. It’s a game-changing step. Your mother made it all those years ago. Now if you’ll come with me, we’ll see if Sarah’s going to make the same step. I think she will.
Sarah and Mary talk quietly in the stairwell. Sarah wasn’t sure how to make the kill look legitimate in front of all the cameras, but Mary tells her she has to somehow slip Casey the piece from the Hydra she snuck out of Volkoff’s office. Casey is at the window and Sarah sneaks up on him, intentionally kicking a paint can to alert him. They start their ‘fight’, Sarah quietly explaining to Casey she has to make it look good for the cameras with Volkoff watching. Casey suggests Sarah retrieve his gun and shoot him in the shoulder. Sarah refuses…until Volkoff comes up the stairs with Chuck. In the middle of their fight, Casey recommends Sarah throw him out the window. He’ll hit the platform 40 feet down, since he’s done 60 easily.
SARAH: OK, but you better be fine or else I’ll really kill you.
Sarah slips him the drive from the Hydra, telling Casey to give it to Chuck. She belts him out the window, much to Chuck’s shock. Sure enough, Casey landed on the platform like he predicted. The platform gave way, unlike he predicted. He falls the rest of the way to the ground. Chuck can’t understand what happened, but Alexei explains she did all of it for him. And that he should give her a bit of space for a while, as going to the dark side is a bit of a painful thing to do. Chuck is knocked out, but Sarah has to tell Volkoff she’s ready to go.
Back at home, Ellie suggests the name Clara, and Devon loves it. He had been stalling because he wanted to get the first in a million decisions about their child right. And, as it turns out, Grunka means “spoon” at Ikea, so Ellie was riding him to begin with. (You went to the Ikea site to check on that, didn’t you.)
On Volkoff’s jet back to Russia, Sarah can’t get over Casey’s ‘death’. Mary assures her it gets easier…with distance. Back in Burbank, Chuck sits with the unconscious Casey, wondering how Sarah could do that. Alex stops in and is worried, but Morgan assures her he’ll be OK, and that her father loves her. Chuck sends a text to Sarah, but Sarah declines it, since she didn’t want to deal with confronting Chuck over what she did.
So, what do you think? Are you happy Chuck showed us AntiSarah? Let me know your theory in the comments section.
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Good TV is back! Well… set your calendars, since White Collar comes back tonight 10/9 C on USA. (It´s a new time slot)
I already told you all you needed to know about White Collar midseason premiere Burke´s Seven and i gave you tons of spoilers from tonight´s White Collar episode Forging Bonds.
And for everybody here dying to see something else that happens, we get everything you wanted to know.
First for all you droolers. Matt Bomer dances naked in White Collar´s episode.
And, as Jeff Eastin, show´s creator tweeted: Bomer’s naked dance from tonight’s #WhiteCollar, best teaser ever! You’re welcome.