Chicago-born Jeremy Sole has been a deejay and record collector for over 15 years. As a teenager, his education was throwing underground loft parties at the birth of Hip Hop and House music. He matured as a turntablist in Jazz, Dub and experimental hybrid bands. The rich Chicago history of Blues, Jazz, Soul and Funk were all part of his upbringing, and as a true music lover Jeremy has always found a way to blend them all together.

“When I was young, I would hang out in the alleys behind blues clubs so I could hear Buddy Guy and cats like that through the air vents. Those same nights I’d be mixing a Deep House or Hip Hop or Disco gig at some loft downtown.”

Since then his obsession grew to include music from around the world. As Co-Founder and resident deejay of Afro Funke’, Jeremy and his partners Rocky Dawuni and Cary Sullivan produce an event that brings a diverse mix of music lovers together each week at the Zanzibar in Santa Monica. Blending Afrobeat, Funk, Reggae, Latin and Brazilian; Afro Funke’ has hosted hundreds of international guest performers over the years, from Rich Medina and Cut Chemist to impromptu jam sessions with Zap Mama and Stevie Wonder. Every week is a future memory.

“If I’m playing a Dub tune, it might have a similar rhythm to Cumbia so it forms a bridge from Jamaica to Colombia. Then maybe mix into a salsa track, followed by a salsa remix with a dancehall pattern that translates into certain Afrobeat rhythms. It’s about finding similarities and using songs to connect cultures. On KCRW, (his show) Branches is built on that same foundation.”

Jeremy has had the honor of sharing the stage and the studio with hundreds of his deepest inspirations, including Roy Ayers, Ben Harper, DJ Krush, Lauryn Hill, War, The Meters, Chaka Khan, Seu Jorge, The Greyboy Allstars, Antibalas, Ray Charles, Reuben Wilson, Buck 65, Jerry Garcia Band and Joe Bataan.

As a musician and producer, Jeremy uses the word “Musaics” as both an artist alias and a conceptual approach; removing rhythms and samples from their original context, and juxtaposing them as a form of mosaic music. His “Musaics” have been released on Om Records’ Deep Concentration compilations, and recently featured Garth Trinidad on “A Call To Action”; the opening track of the re:BOOT compilation (Om/NextAid), raising funds and awareness for the children orphaned by AIDS in Africa.

As both a musician and a fan, Jeremy is honored to be a part of KCRW’s reputation for progressive and eclectic programming.

www.myspace.com/musaics

Special Guests

Bolder and more free-spirited than ever, Sheryl Crow embarks on paths both deeply personal and grandly global on Detours (Interscope/A&M Records). Filled with songs about having and holding, changing and letting go, about beginnings, endings, and the roads between them, Detours was inspired by “how I feel things are going in the world and what’s happened to me the last couple of years,” says the nine-time Grammy Award winning singer-songwriter.

Crow’s lyrical signposts range from the demise of a relationship, the adoption of a child (baby Wyatt, who guests on “Lullaby For Wyatt”), a public bout with breast cancer to the war in Iraq (”Peace Be Upon Us,” featuring Arabic lyrics sung by Ahmed Al Hirmi), environmental disaster (”Gasoline” featuring Ben Harper), and the ravaged New Orleans of Hurricane Katrina (”Love Is Free”).

Marking her reunion with Bill Bottrell, who produced her sensational 1993 debut, Tuesday Night Music Club, Detours wends its way across the pop musical landscape from the rockin’ “Shine Over Babylon” and acoustic folk “God Bless This Mess” to the plaintive “Diamond Ring.” An out-of-the-blue telephone call from Crow prompted a reconciliation with Bottrell and brought him to the studio at her farm near Nashville to produce her sixth studio album.

Each of her previous studio albums has charted Top 10 and earned at least platinum certification. The seven times platinum Tuesday Night Music Club hit #3 and earned three Grammys–Best New Artist, Record of the Year and Best Female Pop Vocal Performance for the classic “All I Wanna Do.” The album also featured “Strong Enough,” “Can’t Cry Anymore,” and “Leaving Las Vegas.”

1996’s triple platinum Sheryl Crow (#6) earned the Grammy for Best Rock Album and, for “If It Makes You Happy,” Best Female Rock Vocal Performance. 1998’s platinum The Globe Sessions (#5) also garnered the Best Rock Album Grammy, as its “Everyday Is A Winding Road” and “My Favorite Mistake” both reached the Pop Top 20.

The new millennium brought 2002’s platinum C’mon C’mon (#2), whose gold “Soak Up The Sun” peaked in the Top 20 and “Steve McQueen” again nabbed her a Best Female Rock Vocal Performance Grammy. The 2003 greatest hits compilation, the four times platinum The Very Best Of Sheryl Crow, was also a #2 charter, featuring a new recording, a cover of Cat Stevens’ “The First Cut Is The Deepest.” 2005’s platinum Wildflower (#2) featured the duet with Sting, “Always On Your Side.”

On Detours, the fearlessly outspoken Sheryl Crow continues a journey of self-discovery that has increasingly appealed to both the head and the heart.